Craft Wholesale Wood
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Wood as a medium - As a contemporary artistic medium, wood is used in traditional and modern styles, and is an excellent medium for new art. Wood is used in forms of sculpture, craft, and decoration including chip carving, wood burning, and marquetry.
Wood engraving - Wood engraving is, simply, the craft, or technique, of engraving, using the medium of wood. This was the earliest type of engraving.
Straw marquetry - Straw marquetry is a craft very similar to that of wood marquetry except that straw replaces the wood veneer. It is thought to have first been practised in the east; examples were brought to England in the 17th century.
Maranao - Maranao is the term used for the people of Lanao, a predominantly Muslim region in the Philippine island of Mindanao. They are famous for their artworks, sophisticated weaving, wood and metal craft.
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Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the field of Oaxacan/Mexican studies, as well as economic anthropology and the study of globalization. Ironically, however, the Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the global market, concluding that the trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the global market, concluding that the trade in Oaxacan wood carvings are not a traditional folk art. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. Drawing on interviews he conducted in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings are not a traditional folk art. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. He also fully discusses the effects on local communities of participating in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the
